Change or Die | Fast Company
http://www.fastcompany.com/52717/change-or-die
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Change or Die | Fast Company
http://www.fastcompany.com/52717/change-or-die
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“We talked to professors at different universities telling us it would never work out, so we had to develop the technique ourselves,” he says. After receiving a negative imprint of the song’s master cut, they started experimenting; the office became a kind of amateur chemistry lab, and the team spent hours testing different types of liquid, various drying techniques, and multiple kinds of molds.It's a bit lo-fi, and the quality degrades quickly with meltage. But hey, record made of ice.
“One of the biggest challenges was that the bubbles made the ice cloudy and messed up the tiny tracks, which made the needle jump.” Further trial and error revealed that using distilled water did the trick, giving the final product a nice clarity and even surface. Another insight? Time is not, in fact, on your side when working with a frozen substance; functionality and sound quality diminish immediately once the melting starts. A silicone cast allowed for quick and easy record removal, essential to ensuring it could be used straight out of the freezer.
Mississippi Drift, by Matt Power | Harper's Magazine
http://harpers.org/archive/2008/03/mississippi-drift/?single=1
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Since 2004 England-based Simon Beck has strapped on a pair of snowshoes and lumbered out into the the freshly fallen snow at the Les Arcs ski resort in France to trample out his distinctly geometric patterns, footprint by footprint. Each work takes the 54-year-old artist anywhere between 6 hours and two days to complete, an impressive physical feat aided from years of competitive orienteering. The orie...
A lot can happen in a minute when algorithms are at hand to process and store all this data. Infographic by domo, but discovered and discussed here.
The story behind Mitt Romney's loss in the presidential campaign to President Obama - News - Boston.com
http://www.boston.com/news/politics/2012/president/2012/12/23/the-story-behind-mitt-romney-loss-the-presidential-campaign-president-obama/2QWkUB9pJgVIi1mAcIhQjL/story-0.html
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Warren Ellis, always a shrewd observer of online media, supposes that we've reached peak social media, the point at which exciting new communications forms ossify into dull media titans:
Twitter alters its terms of access to its information, thereby harming the services that built themselves on that information. Which was stupid, because Twitter gets fewer and fewer material benefits from allowing people to use its water. And why would you build a service that relies on a private company's assets anyway? Facebook changes its terms of access regularly. It's broken its own Pages system and steadily grows more invasive and desperate. Instagram, now owned by Facebook, just went through its first major change in terms of service. Which went as badly as anyone who's interacted with Facebook would expect. As Twitter disconnected itself from sharing services like IFTTT, so Instagram disconnected itself from Twitter. Flickr's experiencing what will probably be a brief renaissance due to having finally built a decent iOS app, but its owners, Yahoo!, are expert in stealing defeat from the jaws of victory. Tumblr seems to me to be spiking in popularity, which coincides neatly with their hiring an advertising sales director away from Groupon, a company described by Techcrunch last year as basically loansharking by any other name.
This may be the end of the cycle that began with Friendster and Livejournal. Not the end of social media, by any means, obviously. But it feels like this is the point at where the current systems seize up for a bit. Perhaps not even in ways that most people will notice. But social media seems now to be clearly calcifying into Big Media, with Big Media problems like cable-style carriage disputes. Frame the Twitter-Instagram spat in terms of Virginmedia not being able to carry Sky Atlantic in the UK, say (I know there are many more US examples).
His closing remark is "I wonder if anyone's been thinking twice about giving up their personal websites." Good question.
Instructables user Aandaghassaei has posted a HOWTO for making a 3D printed record that plays on a regular turntable. Her method converts any digital audio file to grooves ready to print. It's a bit fuzzy, but still rather exciting! I'm waiting for the way when taking a snapshot of a vinyl disc can be the first step toward deriving its audio content, converting that back to a shapefile, and printing out a high-fidelity duplicate.
In this Instructable, I'll demonstrate how I developed a workflow that can convert any audio file, of virtually any format, into a 3D model of a record. This is far too complex a task to perform with traditional drafting-style CAD techniques, so I wrote an program to do this conversion automatically. It works by importing raw audio data, performing some calculations to generate the geometry of a record, and eventually exporting this geometry straight to the STL file format (used by all 3D printers). Most of the heavy lifting is done by Processing, an open source environment that's often used for coding interactive graphics applications. To get Processing to export to STL, I used the ModelBuilder Library written by Marius Watz (if you are into Arduino/Processing and 3D printing I highly recommend checking this out, it works great).
I've uploaded some of my complete record models to the 123D gallery as well as the Pirate Bay. Check Step 6 for a complete listing of what's there and what I plan on posting. Alternatively, you can go to Step 7 to download my code and learn how to make your own printable records from any audio file you like.