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I really enjoyed the rhythmic weirdness of David Ellis's 'True Value (Paint Fukette),' recently installed at Joshua Liner Gallery. Roberto Carlos Lange composed the percussive 'score.' David Ellis: PULSE (Thanks, Greg Long!)
I really enjoyed the rhythmic weirdness of David Ellis's 'True Value (Paint Fukette),' recently installed at Joshua Liner Gallery. Roberto Carlos Lange composed the percussive 'score.' David Ellis: PULSE (Thanks, Greg Long!)
[Video Link] From her Circus Freak show, Taimane Gardner plays Bach's Toccata on ukulele.
Previously: Taimane plays Eleanor Rigby on ukulele
Marburger: How about this: Have you ever heard the term 'photocopier' or 'photocopy' used in the Recorder's office by anybody?
Patterson: Photocopy? I'm sure in the time I've been there someone has used the term.
Marburger: And have you ever heard them use it in referencing a particular device or machine within the Recorder's office? By way of example, 'can you photocopy that for me?' That's an example of office parlance.
Patterson: That particular terminology I've not witnessed.
Marburger: What was the context that you've heard the term 'photocopy' used in the Recorder's office?
Patterson: I'm sure it's been used. I didn't say I remembered a specific instance.
Marburger: All right. But you have a general understanding that people have used the term 'photocopy' within the Recorder's office in terms of something that could be done there; is that true?
Patterson: I'm sure it's been used. I don't remember a specific instance or how it was used. I'm sure it's been used.
Marburger: And is it fair to say that it's been used in terms of being able to copy one piece of paper onto another piece of paper using a machine? No? Not sure of that?
The Centcom contract stipulates that each fake online persona must have a convincing background, history and supporting details, and that up to 50 US-based controllers should be able to operate false identities from their workstations 'without fear of being discovered by sophisticated adversaries'.
Centcom spokesman Commander Bill Speaks said: 'The technology supports classified blogging activities on foreign-language websites to enable Centcom to counter violent extremist and enemy propaganda outside the US.'
He said none of the interventions would be in English, as it would be unlawful to 'address US audiences' with such technology, and any English-language use of social media by Centcom was always clearly attributed. The languages in which the interventions are conducted include Arabic, Farsi, Urdu and Pashto.
Once developed, the software could allow US service personnel, working around the clock in one location, to respond to emerging online conversations with any number of co-ordinated Facebook messages, blogposts, tweets, retweets, chatroom posts and other interventions. Details of the contract suggest this location would be MacDill air force base near Tampa, Florida, home of US Special Operations Command.
Centcom's contract requires for each controller the provision of one 'virtual private server' located in the United States and others appearing to be outside the US to give the impression the fake personas are real people located in different parts of the world.
It also calls for 'traffic mixing', blending the persona controllers' internet usage with the usage of people outside Centcom in a manner that must offer 'excellent cover and powerful deniability'.
The multiple persona contract is thought to have been awarded as part of a programme called Operation Earnest Voice (OEV), which was first developed in Iraq as a psychological warfare weapon against the online presence of al-Qaida supporters and others ranged against coalition forces. Since then, OEV is reported to have expanded into a $200m programme and is thought to have been used against jihadists across Pakistan, Afghanistan and the Middle East.
Read the whole article in the Guardian: 'Revealed: US spy operation that manipulates social media'
The painting “Venus Envy” is a work emphasizing the beauty and potency of women and motherhood. The name “Venus Envy” is a play on words of the Freudian “Penis Envy”, and implies the enviable female advantage of being the carrier of new life. With the predominance of taboos and limitations against women in so many cultures throughout the world, the piece exposes with pride and irreverence, female characteristics, whether beautiful or unsettling. It is an attempt to absolve women of their generally complex nature, and free them from harsh social standards foisted upon their physical, social, and spiritual selves. It also explores the sensuality of pregnancy, and the mystical and intimidating power with which it was once regarded.
...2. Your guitar is not really a guitar
Your guitar is a divining rod. Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you're good, you'll land a big one.
3. Practice in front of a bush
Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn't shake, eat another piece of bread...
7. Always carry a church key
That's your key-man clause. Like One String Sam. He's one. He was a Detroit street musician who played in the fifties on a homemade instrument. His song 'I Need a Hundred Dollars' is warm pie. Another key to the church is Hubert Sumlin, Howlin' Wolf's guitar player. He just stands there like the Statue of Liberty -- making you want to look up her dress the whole time to see how he's doing it.
8. Don't wipe the sweat off your instrument
You need that stink on there. Then you have to get that stink onto your music.
(Image: Trout Mask Replica, a Creative Commons Attribution Share-Alike (2.0) image from seventime's photostream)
A fun video of an ingenious (and apparently incredibly dangerous) method to get a stuck tractor out of the mud. (via Jim Mason)
There's something oddly soothing about hearing David Attenborough say the words, 'soft, slumpy legs.' Almost like he's talking about Winnie the Pooh, rather than a carnivorous worm that eats its prey alive.
How does the velvet worm trap creatures long enough to slowly consume them? In the video, you can see it spraying out a sticky, quick-hardening slime that engulfs a cricket and renders it motionless. The trick, according to some cool research written about by bloggers Brian Switek and Scicurious, is that the slime is 90% water. Once exposed to air, the water evaporates out, leaving behind an ever-tightening net.
Some years back, Yale Professor Robert Shiller produced a long-run nominal home price index for the U.S. by fusing together data that had been gathered from a number of historical archives.
Shiller then adjusted the index for inflation revealing the very interesting fact that, in real terms, prices for U.S. homes changed very little over the span from 1890 to the mid-1990s.
This might come as a surprise to many since recent 'common sense' notions held that homes were always a great investment carrying the implication that they must typically increase in value yet, the reality is that over the long run home prices must stay in-line with changes in the level of income (the source generally used to fund the home cost) or else typical households would not be capable of making a purchase.